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Japanese → English

English uses 43 sounds. You already own 14 of them from Japanese. The other 29 are the work — and 22 of those are the dangerous kind: close enough to something you already say that you will substitute them without hearing yourself do it.

14already yours
22silent swaps
7genuinely new
4pairs you may not hear apart

The silent swaps

Your mouth has something close enough to reach for. These survive for years precisely because they sound right to you — the fix is hearing the difference first, not trying harder.

fyou'll sayɸ

the move: bilabial → labiodental

English: fish · written "f", "ff", "ph", "gh (laugh)"

Your /ɸ/ is the one in ふゆ fuyu (winter).

θyou'll says

the move: alveolar → dental

English: think · written "th"

Tongue between the teeth, no voice.

Your /s/ is the one in さかな sakana (fish).

ðyou'll sayz

the move: alveolar → dental

English: this · written "th (function words, between vowels)"

the, this, that, they, mother, breathe.

Your /z/ is the one in みず mizu (water).

ʃyou'll says or /ɕ/

the move: alveolar → postalveolar

English: ship · written "sh", "ti (-tion)", "ci", "ssi"

Your /s/ is the one in さかな sakana (fish).

ʒyou'll sayz

the move: alveolar → postalveolar

English: measure · written "s (measure)", "si (vision)", "ge (beige)"

Your /z/ is the one in みず mizu (water).

t͡ʃyou'll sayt͡ɕ or /t͡s/

the move: alveolo-palatal → postalveolar

English: church · written "ch", "tch", "tu (nature)"

Your /t͡ɕ/ is the one in ちいさい chīsai (small).

d͡ʒyou'll sayd͡ʑ

the move: alveolo-palatal → postalveolar

English: judge · written "j", "g (e,i,y)", "dge"

Your /d͡ʑ/ is the one in じかん jikan (time).

ɪyou'll sayi

the move: close → near-close

English: sit · written "i", "y", "e (unstressed)"

Your /i/ is the one in いま ima (now).

æyou'll saya

the move: open → near-open

English: cat · written "a"

Between /ɛ/ and /a/; mouth wide.

Your /a/ is the one in あさ asa (morning).

uːyou'll sayɯː

the move: rounded

English: food · written "oo", "u_e", "ew", "ou (soup)"

Your /ɯː/ is the one in すうじ sūji (number).

ʊyou'll sayo

the move: close-mid → near-close

English: book · written "oo (book)", "u (put)", "oul (could)"

Your /o/ is the one in おと oto (sound).

vyou'll sayz

the move: alveolar → labiodental

English: very · written "v", "f (of)"

Your /z/ is the one in みず mizu (water).

ŋyou'll sayɴ

the move: uvular → velar

English: sing · written "ng", "n before k"

Your /ɴ/ is the one in ほん hon (book).

ɛyou'll saya or /e/

the move: open → open-mid

English: bed · written "e", "ea (bread)"

Your /a/ is the one in あさ asa (morning).

ɔːyou'll sayoː

the move: close-mid → open-mid

English: law · written "or", "aw", "au", "al"

Your /oː/ is the one in とうきょう Tōkyō (Tokyo).

lyou'll sayz or /d/, /n/

the move: fricative → lateral

English: light · written "l", "ll"

Dark [ɫ] at the end of syllables (full, milk).

Your /z/ is the one in みず mizu (water).

ɹyou'll sayɾ or /w/

the move: tap → approximant

English: red · written "r", "rr", "wr"

Silent after vowels in British English (car /kɑː/); pronounced in American.

Your /ɾ/ is the one in さくら sakura (cherry blossom).

eɪyou'll saye

the move: it glides, yours would hold still

English: make · written "a_e", "ai", "ay", "ei (eight)"

Your /e/ is the one in えき eki (station).

aɪyou'll saya

the move: it glides, yours would hold still

English: time · written "i_e", "igh", "y", "ie (pie)"

Your /a/ is the one in あさ asa (morning).

aʊyou'll saya

the move: it glides, yours would hold still

English: house · written "ou", "ow"

Your /a/ is the one in あさ asa (morning).

eəyou'll saye

the move: it glides, yours would hold still

English: hair · written "air", "are (care)", "ear (bear)"

American: /ɛr/.

Your /e/ is the one in えき eki (station).

əyou'll saye

the move: close-mid → mid, front → central

English: about · written "any unstressed vowel"

The commonest English vowel. banana = /bəˈnɑːnə/.

Your /e/ is the one in えき eki (station).

Words you may say identically

Two or more English sounds landing on one sound of yours. Until the ear separates them, the mouth cannot — which is what the ear trainer is for.

Genuinely new

Nothing in Japanese sits close to these. They sound foreign in your mouth — which is the good news: you can hear that you are not saying them yet.

ʌopen-mid back unrounded

cup

Closest thing you own: o — but close-mid → open-mid, unrounded.

ɑːlong open back unrounded

car

Closest thing you own: aː — but front → back.

ɪəcentring diphthong

near

American: /ɪr/.

Closest thing you own: i — but it glides, yours would hold still, close → near-close.

ɜːlong open-mid central unrounded

bird

American: /ɝ/ with the r.

Closest thing you own: aː — but open → open-mid, front → central.

ɒopen back rounded

hot

American: /ɑ/.

Closest thing you own: o — but close-mid → open.

ɔɪclosing diphthong

boy

Closest thing you own: o — but it glides, yours would hold still, close-mid → open-mid.

əʊclosing diphthong

home

American: /oʊ/.

Closest thing you own: e — but it glides, yours would hold still, close-mid → mid, front → central.

Rhythm and pitch

The layer spelling never records, and the one that makes a correct sentence still sound foreign.

JapaneseEnglish
RhythmMora-timedStress-timed
StressNo stress in the English sense — syllables are not louder or longer, so a Japanese speaker reading English tends to flatten it, and an English speaker reading Japanese tends to hammer syllables that should be even.Contrastive, and unmarked in writing — the single most common cause of not being understood. Dozens of noun/verb pairs differ only in where the stress goes, and every unstressed vowel collapses to /ə/.

More on rhythm and stress →

What you have that English doesn't

17 sounds with no job in English. They are not mistakes — but they are where an accent leaks in, because a sound you own is easy to use when a hard one is due.

aiɯeoaːɯːeːoːɕd͡ʑt͡ɕt͡sɴçɸɾ

The honest caveat

This is a prediction from the shape of two sound systems, not a recording of you. It says what your inventory makes likely — it cannot know that your Japanese has a regional variety that already owns one of these, or that you learned English from someone whose accent you copied. A teacher listening to you beats it. Use it to know what to listen for.

The other direction: English → Japanese →

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