Latin · A B C …
The 26 letters our Latin-script languages share — and the least honest alphabet on this site: the same letter can mean utterly different sounds per language (j = English /d͡ʒ/, French /ʒ/, Spanish /x/, German /j/; c, g, r, u all shift). Each language patches the gaps its own way: French with accents that change sound (é è ç), German with umlauts that change the vowel entirely (ä ö ü) plus ß, Spanish with ñ and the one-sound-per-letter discipline, Italian by simply not using j k w x y in native words, Malay by being younger than the others' bad habits, Vietnamese by piling diacritics on — two per vowel when it has to, one for the vowel quality (â ê ô ơ ư ă) and one for the tone (à á ả ã ạ), so that quốc ngữ, designed by missionaries in the 1600s, records every sound and every tone. Portuguese does the most damage of all to the idea that a letter has a sound: it reduces unstressed vowels almost out of existence (gato is 'gatu', and European Portuguese can delete an e altogether), nasalises with ~ and m and n, and turns a final l into /w/. Turkish went the other way: in 1928 it took the alphabet and made it obey — c is always /d͡ʒ/, j only /ʒ/, q w x thrown out, and six letters added for the sounds Latin had no room for: ç ş ğ ı ö ü, with i and ı as two different letters whose capitals are İ and I. The per-language Sounds pages trace the real letter→sound rules; this table shows the spread.
Latin (from Greek via Etruscan) · written left to right · used here by English, French, Spanish, Portuguese, German, Italian, Malay, Vietnamese, Turkish
26 signs
| # | Sign | Name | IPA | Group | Note |
|---|---|---|---|---|---|
| 1 | a | a | a · æ · ɑː · eɪ · ə · ɐ | Four or more | Steady /a/ in es/it/ms; English alone gives it four values (cat, father, make, about); Portuguese reduces it to /ɐ/ and nasalises it in ã. |
| 2 | b | b | b · β | Bend a little | Everywhere /b/; Spanish softens it between vowels. |
| 3 | c | c | k · s · θ · t͡ʃ · t͡s · d͡ʒ | Four or more | The chameleon: /k/ or /s/ (en/fr), /k/ or /θ/ (es), /k/ or /t͡ʃ/ (it), /t͡s/ (de), always /t͡ʃ/ (ms), always /d͡ʒ/ (tr — cami, ceket). |
| 4 | d | d | d · ð · t · d͡ʒ | Four or more | Spanish softens it to /ð/ between vowels; German devoices it finally; Brazilian d before i is /d͡ʒ/ (dia). |
| 5 | e | e | e · ɛ · ə · iː · ɨ | Four or more | French and Malay default it to schwa; English 'magic e' is silent; European Portuguese reduces it to /ɨ/ and frequently deletes it outright. |
| 6 | f | f | f | Say one thing | The best-behaved letter in the alphabet. |
| 7 | g | g | ɡ · d͡ʒ · ʒ · x · ɣ · ɟ | Four or more | Hard/soft split in four languages, four different softs — and Turkish fronts it to /ɟ/ before e, i, ö, ü (göz) without ever softening it. |
| 8 | h | h | h · | Bend a little | Silent in French, Spanish and Italian; real in English, German, Malay. |
| 9 | i | i | i · ɪ · aɪ · j | Four or more | English alone reads it /aɪ/ (time). Turkish keeps its dot even as a capital — İstanbul — because the dotless ı /ɯ/ is a separate letter whose capital is I. |
| 10 | j | j | d͡ʒ · ʒ · x · j | Four or more | Four languages, four sounds — the least portable letter. |
| 11 | k | k | k | Say one thing | Reliable, but Italian and Spanish barely use it; French only in loans. |
| 12 | l | l | l · w | Bend a little | Reliable everywhere until Brazil, where a final l is said /w/ — Brasil is /bɾaˈziw/. English darkens it finally (ɫ); Spanish ll is a different letter. |
| 13 | m | m | m | Say one thing | Reliable — and nasalises the vowel before it in French (om, am). |
| 14 | n | n | n · ŋ | Bend a little | Reliable; nasalises vowels in French; ng in five languages = /ŋ/. |
| 15 | o | o | o · ɔ · əʊ · ɒ · u | Four or more | Clean in es/it/ms; English splits it four ways; Portuguese closes an unstressed final o to /u/, so gato is 'gatu'. |
| 16 | p | p | p · pʰ | Bend a little | Aspirated at the start of English/German stressed syllables, plain elsewhere. |
| 17 | q | q | k | Say one thing | Never travels without u — except in Malay loans (Quran). |
| 18 | r | r | r · ɾ · ʁ · ɹ | Four or more | Four articulations across six languages — the accent-defining letter. |
| 19 | s | s | s · z · ʃ · ʒ | Four or more | Voices between vowels (fr/de/it/en), turns /ʃ/ in German st-/sp-. |
| 20 | t | t | t · tʰ · s · ɾ · t͡ʃ | Four or more | French -tion says /s/; American English flaps it between vowels; Brazilian t before i is /t͡ʃ/ (noite). |
| 21 | u | u | u · y · ʌ · ʊ · | Four or more | French reads plain u as /y/ — the classic giveaway. |
| 22 | v | v | v · f · b | Bend a little | German reads it /f/ (Vater); Spanish merges it with b. |
| 23 | w | w | w · v | Bend a little | German reads it /v/ (Wasser); Romance languages only borrowed it. |
| 24 | x | x | · z · s · ʃ | Four or more | /ks/, or /z/ starting English words (xylophone); silent finally in French; and in Portuguese usually /ʃ/ — peixe, xadrez. |
| 25 | y | y | j · i · ɪ · aɪ · ʏ | Four or more | Consonant and vowel; German reads it /ʏ/ (Physik). |
| 26 | z | z | z · θ · t͡s · s · ʃ | Four or more | English /z/, Spanish /θ/, German AND Italian /t͡s/, and a final European Portuguese z is /ʃ/. |
Groups: Say one thing (f k m q — the only letters you can read aloud in any of the seven without checking first) · Bend a little (two or three values, usually a softening between vowels or a devoicing at the end of a word) · Four or more (fifteen of twenty-six. This is why /sounds exists: the letter tells you almost nothing until you know which language you are in)
Most used combinations
The sequences you'll meet constantly — learn them as units.
| Sequence | Sound | What's going on | Example |
|---|---|---|---|
| sh · ch · th (en) | — | English's workaround for missing letters: digraphs for /ʃ t͡ʃ θ ð/. | ship, church, think, this |
| sch · ch (de) | — | German trigraph /ʃ/ and the two-faced ch (ich vs ach). | Schule, ich, Bach |
| gn · gl(i) · sc(i) (it) | — | Italian's palatal team: /ɲ/, /ʎ/, /ʃ/. | gnocchi, figlio, pesce |
| ng · ny · sy (ms) | — | Malay digraphs: /ŋ/, /ɲ/, /ʃ/ — and ngg is /ŋɡ/, two sounds. | dengan, banyak, syukur |
Rules of the system
How the signs behave together.
| Sequence | Sound | What's going on | Example |
|---|---|---|---|
| ç ş ğ ı ö ü (tr) | — | Turkish, 1928: one new letter per sound the alphabet lacked. ç /t͡ʃ/ and ş /ʃ/ with a cedilla; ö and ü as in German; the dotless ı /ɯ/ beside the dotted i, each with its own capital (I and İ); and ğ, which is not a sound at all but lengthens the vowel before it. | çay, şeker, dağ, ılık, göz, gül |
| é è ê ë à ç … | — | French extensions: accents change sound (é /e/ vs è /ɛ/), mark lost letters (ê = old es: forêt/forest), or split homophones (a/à). ç forces /s/ before a o u. | français, forêt, où |
| ä ö ü ß | — | German extensions: umlauts are DIFFERENT VOWELS (a/ä distinguish words: Apfel/Äpfel), not decoration; ß is /s/ after long vowels. | schön, Straße, fünf |
| ñ ¿ ¡ á é í ó ú | — | Spanish extensions: ñ is its own letter /ɲ/; accents mark stress only (never sound); inverted ¿ ¡ open questions and exclamations. | año, ¿qué?, ¡hola! |
| à è é ì ò ù | — | Italian extensions: grave accents mark final stress (città) and split monosyllables (e 'and' vs è 'is'). Native Italian never uses j k w x y. | perché, città, è |
| double letters | — | Italian doubles are LONGER SOUNDS (pala/palla — different words); English/French/Spanish doubles are mostly spelling history; German doubles mark the previous vowel as SHORT. |
Incompatible combinations
What this writing system does not allow — knowing the impossible prunes the search space.
| Sequence | Sound | What's going on | Example |
|---|---|---|---|
| q without u | — | In all six languages native q must be followed by u (qu-). Only loanwords break it (Iraq, Quran). |