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Spanish → Japanese

Japanese uses 31 sounds. You already own 16 of them from Spanish. The other 15 are the work — and 14 of those are the dangerous kind: close enough to something you already say that you will substitute them without hearing yourself do it.

16already yours
14silent swaps
1genuinely new
7pairs you may not hear apart

The silent swaps

Your mouth has something close enough to reach for. These survive for years precisely because they sound right to you — the fix is hearing the difference first, not trying harder.

zyou'll sayð

the move: dental → alveolar

Japanese: water · written "ざ ず ぜ ぞ z-"

Your /ð/ is the one in nada (nothing).

t͡ɕyou'll sayt͡ʃ

the move: postalveolar → alveolo-palatal

Japanese: small · written "ち chi", "ちゃ ちゅ ちょ ch-"

Your /t͡ʃ/ is the one in chico (boy).

t͡syou'll sayt͡ʃ

the move: postalveolar → alveolar

Japanese: moon · written "つ tsu"

Your /t͡ʃ/ is the one in chico (boy).

çyou'll sayx

the move: velar → palatal

Japanese: person · written "ひ hi", "ひゃ ひゅ ひょ"

German ich-Laut — h in front of i gets palatal.

Your /x/ is the one in jamón (ham).

ɸyou'll sayf

the move: labiodental → bilabial

Japanese: winter · written "ふ fu"

Blow gently between the lips. Teeth never touch — this is not English f.

Your /f/ is the one in fuego (fire).

ɯyou'll sayu

the move: unrounded

Japanese: sea · written "う ウ u"

Say /u/ but DON'T round your lips. The commonest giveaway of a foreign accent.

Your /u/ is the one in luz (light).

aːyou'll saya

the move: longer

Japanese: grandmother · written "ああ ā", "アー"

Length is meaning: おばさん obasan is 'aunt'.

Your /a/ is the one in casa (house).

iːyou'll sayi

the move: longer

Japanese: grandfather · written "いい ī"

Your /i/ is the one in sí (yes).

eːyou'll saye

the move: longer

Japanese: teacher · written "えい ei", "ええ ē"

ei is normally said as a long ē, not as two vowels.

Your /e/ is the one in mesa (table).

oːyou'll sayo

the move: longer

Japanese: Tokyo · written "おう ō", "おお"

Your /o/ is the one in oso (bear).

ɕyou'll says

the move: alveolar → alveolo-palatal

Japanese: sushi · written "し shi", "しゃ しゅ しょ sh-"

Not English 'sh' — tongue flatter and further forward.

Your /s/ is the one in sol (sun).

d͡ʑyou'll sayt͡ʃ

the move: postalveolar → alveolo-palatal, voiced

Japanese: time · written "じ ji", "じゃ じゅ じょ"

Your /t͡ʃ/ is the one in chico (boy).

ɯːyou'll sayu

the move: unrounded, longer

Japanese: number · written "うう ū", "ウー"

Your /u/ is the one in luz (light).

ɴyou'll sayɲ

the move: palatal → uvular

Japanese: book · written "ん n"

A beat of its own, and it changes colour: [m] before p/b/m, [n] before t/d/n, [ŋ] before k/g, uvular [ɴ] at the end.

Your /ɲ/ is the one in año (year).

Words you may say identically

Two or more Japanese sounds landing on one sound of yours. Until the ear separates them, the mouth cannot — which is what the ear trainer is for.

Genuinely new

Nothing in Spanish sits close to these. They sound foreign in your mouth — which is the good news: you can hear that you are not saying them yet.

hvoiceless glottal fricative

flower, nose

Closest thing you own: f — but labiodental → glottal.

Rhythm and pitch

The layer spelling never records, and the one that makes a correct sentence still sound foreign.

SpanishJapanese
RhythmSyllable-timedMora-timed
StressFully contrastive, and mercifully written: if a word breaks the default pattern (stress on the second-to-last syllable for vowel/-n/-s endings, on the last otherwise) it carries an accent. Three-way minimal sets are common and the accent is the only thing separating them.No stress in the English sense — syllables are not louder or longer, so a Japanese speaker reading English tends to flatten it, and an English speaker reading Japanese tends to hammer syllables that should be even.

More on rhythm and stress →

What you have that Japanese doesn't

11 sounds with no job in Japanese. They are not mistakes — but they are where an accent leaks in, because a sound you own is easy to use when a hard one is due.

βðɣɲfθxt͡ʃlru

The honest caveat

This is a prediction from the shape of two sound systems, not a recording of you. It says what your inventory makes likely — it cannot know that your Spanish has a regional variety that already owns one of these, or that you learned Japanese from someone whose accent you copied. A teacher listening to you beats it. Use it to know what to listen for.

The other direction: Japanese → Spanish →

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