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French → Japanese

Japanese uses 31 sounds. You already own 16 of them from French. The other 15 are the work — and 11 of those are the dangerous kind: close enough to something you already say that you will substitute them without hearing yourself do it.

16already yours
11silent swaps
4genuinely new
7pairs you may not hear apart

The silent swaps

Your mouth has something close enough to reach for. These survive for years precisely because they sound right to you — the fix is hearing the difference first, not trying harder.

ɕyou'll sayʃ

the move: postalveolar → alveolo-palatal

Japanese: sushi · written "し shi", "しゃ しゅ しょ sh-"

Not English 'sh' — tongue flatter and further forward.

Your /ʃ/ is the one in chat (cat).

ɸyou'll sayf

the move: labiodental → bilabial

Japanese: winter · written "ふ fu"

Blow gently between the lips. Teeth never touch — this is not English f.

Your /f/ is the one in fleur (flower).

ɯyou'll sayu

the move: unrounded

Japanese: sea · written "う ウ u"

Say /u/ but DON'T round your lips. The commonest giveaway of a foreign accent.

Your /u/ is the one in jour (day).

aːyou'll saya

the move: longer

Japanese: grandmother · written "ああ ā", "アー"

Length is meaning: おばさん obasan is 'aunt'.

Your /a/ is the one in chat (cat).

iːyou'll sayi

the move: longer

Japanese: grandfather · written "いい ī"

Your /i/ is the one in lit (bed).

eːyou'll saye

the move: longer

Japanese: teacher · written "えい ei", "ええ ē"

ei is normally said as a long ē, not as two vowels.

Your /e/ is the one in été (summer).

oːyou'll sayo

the move: longer

Japanese: Tokyo · written "おう ō", "おお"

Your /o/ is the one in eau (water).

çyou'll sayʃ

the move: postalveolar → palatal

Japanese: person · written "ひ hi", "ひゃ ひゅ ひょ"

German ich-Laut — h in front of i gets palatal.

Your /ʃ/ is the one in chat (cat).

ɯːyou'll sayu

the move: unrounded, longer

Japanese: number · written "うう ū", "ウー"

Your /u/ is the one in jour (day).

t͡syou'll sayt or /s/

the move: plosive → affricate

Japanese: moon · written "つ tsu"

Your /t/ is the one in table (table).

ɴyou'll sayɲ

the move: palatal → uvular

Japanese: book · written "ん n"

A beat of its own, and it changes colour: [m] before p/b/m, [n] before t/d/n, [ŋ] before k/g, uvular [ɴ] at the end.

Your /ɲ/ is the one in montagne (mountain).

Words you may say identically

Two or more Japanese sounds landing on one sound of yours. Until the ear separates them, the mouth cannot — which is what the ear trainer is for.

Genuinely new

Nothing in French sits close to these. They sound foreign in your mouth — which is the good news: you can hear that you are not saying them yet.

hvoiceless glottal fricative

flower, nose

Closest thing you own: f — but labiodental → glottal.

d͡ʑvoiced alveolo-palatal affricate

time

Closest thing you own: ʒ — but fricative → affricate, postalveolar → alveolo-palatal.

t͡ɕvoiceless alveolo-palatal affricate

small

Closest thing you own: ʃ — but fricative → affricate, postalveolar → alveolo-palatal.

ɾalveolar tap

cherry blossom

One tap — between an English r, l and d. Never the English r.

Closest thing you own: d — but plosive → tap.

Rhythm and pitch

The layer spelling never records, and the one that makes a correct sentence still sound foreign.

FrenchJapanese
RhythmSyllable-timedMora-timed
StressThis is the one that surprises everyone: French words have NO fixed stress. Prominence lands on the last syllable of the rhythmic GROUP, not of the word — so the same word is stressed differently depending on where it sits. 'Un chocolat' stresses -lat; 'un chocolat chaud' moves it to chaud and the word chocolat loses it entirely. There are no French minimal pairs by stress, because there is nothing to contrast.No stress in the English sense — syllables are not louder or longer, so a Japanese speaker reading English tends to flatten it, and an English speaker reading Japanese tends to hammer syllables that should be even.

More on rhythm and stress →

What you have that Japanese doesn't

20 sounds with no job in Japanese. They are not mistakes — but they are where an accent leaks in, because a sound you own is easy to use when a hard one is due.

ɲfvʃʒʁlɥɑɛyøœəɔuɑ̃ɛ̃ɔ̃œ̃

The honest caveat

This is a prediction from the shape of two sound systems, not a recording of you. It says what your inventory makes likely — it cannot know that your French has a regional variety that already owns one of these, or that you learned Japanese from someone whose accent you copied. A teacher listening to you beats it. Use it to know what to listen for.

The other direction: Japanese → French →

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