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Home / World accents / Japanese / Kansai (Osaka)

Kansai (Osaka)

The great rival to Tokyo, and the accent of Japanese comedy. Pitch patterns are often the mirror image of Tokyo's — the words that fall in Tokyo rise in Osaka. One-syllable words stretch to two beats. Vowels are not devoiced, so 'desu' keeps its u. The grammar differs in the words everyone hears first: ya for the copula da, hen for the negative nai, akan for dame.

Where: Osaka, Kyoto and the Kansai region

The way in: Say every vowel, stretch every one-beat word, and end on 'ya' instead of 'da'.

Try a word

Anything the spelling engine can transcribe, the accent can move. Slow it down to hear the shape.

Reference
Kansai (Osaka)

Which rules fired

  1. A one-beat word stretches to two

Melody and rhythm

The mirror of Tokyo: many words carry the opposite pitch pattern, so 橋 and 箸 swap. The melody is wider and more emphatic, with a lengthened, rising stress — 'nande ya nen'. Sentence-final 'ya', 'na', 'de' where Tokyo has 'da', 'ne', 'yo'.

What moves, one rule at a time

In the order the mouth applies them. Every before-and-after is playable — click the IPA. The pattern is the rule as the engine runs it, for the curious.

Vowels

A one-beat word stretches to two

^([pbtdkɡszhɸɕmnɾjw]?[aiɯeo])$ → $1ː

When: when the whole word is a single mora

How: Hold the vowel for two counts.

Kansai does not like a word that is only one beat long. 'Te' becomes 'tee'.

WordReferenceAccent
tehand
meeye
kitree
hatooth

Vowels stay voiced — 'desu' keeps its u

([sɕ])ɯ(?=$| ) → $1ɯ

A rule that changes nothing, kept here because the ABSENCE is the accent. Tokyo whispers this vowel; Osaka says it.

WordReferenceAccent
desuunchanged — the contrast is with Tokyo's des
masu

Other accents of Japanese: Tokyo · all accents