The great rival to Tokyo, and the accent of Japanese comedy. Pitch patterns are often the mirror image of Tokyo's — the words that fall in Tokyo rise in Osaka. One-syllable words stretch to two beats. Vowels are not devoiced, so 'desu' keeps its u. The grammar differs in the words everyone hears first: ya for the copula da, hen for the negative nai, akan for dame.
Où: Osaka, Kyoto and the Kansai region
La porte d’entrée: Say every vowel, stretch every one-beat word, and end on 'ya' instead of 'da'.
Essayez un mot
Tout ce que le moteur d’orthographe sait transcrire, l’accent sait le déplacer. Ralentissez pour entendre la forme.
The mirror of Tokyo: many words carry the opposite pitch pattern, so 橋 and 箸 swap. The melody is wider and more emphatic, with a lengthened, rising stress — 'nande ya nen'. Sentence-final 'ya', 'na', 'de' where Tokyo has 'da', 'ne', 'yo'.
Ce qui bouge, règle par règle
Dans l’ordre où la bouche les applique. Chaque avant/après est écoutable — cliquez sur l’API. Le motif est la règle telle que le moteur l’exécute, pour les curieux.
Voyelles
A one-beat word stretches to two
^([pbtdkɡszhɸɕmnɾjw]?[aiɯeo])$ → $1ː
Quand: when the whole word is a single mora
Comment: Hold the vowel for two counts.
Kansai does not like a word that is only one beat long. 'Te' becomes 'tee'.
Mot
Référence
Accent
te
hand
me
eye
ki
tree
ha
tooth
Vowels stay voiced — 'desu' keeps its u
([sɕ])ɯ(?=$| ) → $1ɯ
A rule that changes nothing, kept here because the ABSENCE is the accent. Tokyo whispers this vowel; Osaka says it.