L'interface est traduite, mais les explications de cette page sont encore rédigées en anglais — le texte pédagogique n'a pas encore été traduit.
Hiragana · ひらがな
46 basic signs, each one a whole syllable — a SYLLABARY, not an alphabet: か is 'ka' and cannot be split into k + a. Hiragana are the rounded, flowing ones, derived from cursive forms of Chinese characters (安 → あ), and they do the grammatical work: verb endings, particles, and any word whose kanji you don't use. Two accent marks generate the rest of the inventory — ゛ voices a consonant (か ka → が ga) and ゜ turns は into ぱ. Learn these 46 shapes plus two marks and you can write every sound in the language.
Japanese syllabary (from cursive Chinese characters) · s'écrit de gauche à droite · utilisé ici par Japanese
71 signs
| Signe | Katakana | Nom | Romanisation | API | Groupe | Note |
|---|---|---|---|---|---|---|
| あ | ア | a | a | a | あ行 — a i u e o | |
| い | イ | i | i | i | あ行 — a i u e o | |
| う | ウ | u | u | ɯ | あ行 — a i u e o | Unrounded — lips relaxed, not English 'oo'. |
| え | エ | e | e | e | あ行 — a i u e o | |
| お | オ | o | o | o | あ行 — a i u e o | |
| か | カ | ka | ka | か行 — ka ki ku ke ko | ||
| き | キ | ki | ki | か行 — ka ki ku ke ko | ||
| く | ク | ku | ku | か行 — ka ki ku ke ko | ||
| け | ケ | ke | ke | か行 — ka ki ku ke ko | ||
| こ | コ | ko | ko | か行 — ka ki ku ke ko | ||
| さ | サ | sa | sa | さ行 — sa shi su se so | ||
| し | シ | shi | shi | さ行 — sa shi su se so | NOT si — the grid breaks here. | |
| す | ス | su | su | さ行 — sa shi su se so | ||
| せ | セ | se | se | さ行 — sa shi su se so | ||
| そ | ソ | so | so | さ行 — sa shi su se so | ||
| た | タ | ta | ta | た行 — ta chi tsu te to | ||
| ち | チ | chi | chi | た行 — ta chi tsu te to | NOT ti. | |
| つ | ツ | tsu | tsu | た行 — ta chi tsu te to | NOT tu — the hardest mora for English speakers. | |
| て | テ | te | te | た行 — ta chi tsu te to | ||
| と | ト | to | to | た行 — ta chi tsu te to | ||
| な | ナ | na | na | な行 — na ni nu ne no | ||
| に | ニ | ni | ni | な行 — na ni nu ne no | ||
| ぬ | ヌ | nu | nu | な行 — na ni nu ne no | ||
| ね | ネ | ne | ne | な行 — na ni nu ne no | ||
| の | ノ | no | no | な行 — na ni nu ne no | ||
| は | ハ | ha | ha | は行 — ha hi fu he ho | Said 'wa' when it is the topic particle — the one exception you meet on day one. | |
| ひ | ヒ | hi | hi | は行 — ha hi fu he ho | h + i turns palatal, like German ich. | |
| ふ | フ | fu | fu | は行 — ha hi fu he ho | NOT hu, and not English f — blown between the lips. | |
| へ | ヘ | he | he | は行 — ha hi fu he ho | Said 'e' as the direction particle. | |
| ほ | ホ | ho | ho | は行 — ha hi fu he ho | ||
| ま | マ | ma | ma | ま行 — ma mi mu me mo | ||
| み | ミ | mi | mi | ま行 — ma mi mu me mo | ||
| む | ム | mu | mu | ま行 — ma mi mu me mo | ||
| め | メ | me | me | ま行 — ma mi mu me mo | ||
| も | モ | mo | mo | ま行 — ma mi mu me mo | ||
| や | ヤ | ya | ya | や行 — ya yu yo | ||
| ゆ | ユ | yu | yu | や行 — ya yu yo | ||
| よ | ヨ | yo | yo | や行 — ya yu yo | ||
| ら | ラ | ra | ra | ら行 — ra ri ru re ro | A tap — halfway between r, l and d. Never an English r. | |
| り | リ | ri | ri | ら行 — ra ri ru re ro | ||
| る | ル | ru | ru | ら行 — ra ri ru re ro | ||
| れ | レ | re | re | ら行 — ra ri ru re ro | ||
| ろ | ロ | ro | ro | ら行 — ra ri ru re ro | ||
| わ | ワ | wa | wa | わ行 — wa wo | ||
| を | ヲ | wo | wo | o | わ行 — wa wo | Said 'o'. Survives only as the object particle. |
| ん | ン | n | n | ɴ | ん — on its own | The only mora that is not a syllable — a full beat of nasal on its own. |
| が | ガ | ga | ga | が行 — ga gi gu ge go | ||
| ぎ | ギ | gi | gi | が行 — ga gi gu ge go | ||
| ぐ | グ | gu | gu | が行 — ga gi gu ge go | ||
| げ | ゲ | ge | ge | が行 — ga gi gu ge go | ||
| ご | ゴ | go | go | が行 — ga gi gu ge go | ||
| ざ | ザ | za | za | ざ行 — za ji zu ze zo | ||
| じ | ジ | ji | ji | ざ行 — za ji zu ze zo | し + ゛ — spelled zi in some systems, always said ji. | |
| ず | ズ | zu | zu | ざ行 — za ji zu ze zo | ||
| ぜ | ゼ | ze | ze | ざ行 — za ji zu ze zo | ||
| ぞ | ゾ | zo | zo | ざ行 — za ji zu ze zo | ||
| だ | ダ | da | da | だ行 — da ji zu de do | ||
| ぢ | ヂ | ji | ji | だ行 — da ji zu de do | Same sound as じ; rare, kept for etymology (はなぢ). | |
| づ | ヅ | zu | zu | だ行 — da ji zu de do | Same sound as ず; rare. | |
| で | デ | de | de | だ行 — da ji zu de do | ||
| ど | ド | do | do | だ行 — da ji zu de do | ||
| ば | バ | ba | ba | ば行 — ba bi bu be bo | ||
| び | ビ | bi | bi | ば行 — ba bi bu be bo | ||
| ぶ | ブ | bu | bu | ば行 — ba bi bu be bo | ||
| べ | ベ | be | be | ば行 — ba bi bu be bo | ||
| ぼ | ボ | bo | bo | ば行 — ba bi bu be bo | ||
| ぱ | パ | pa | pa | ぱ行 — pa pi pu pe po | ||
| ぴ | ピ | pi | pi | ぱ行 — pa pi pu pe po | ||
| ぷ | プ | pu | pu | ぱ行 — pa pi pu pe po | ||
| ぺ | ペ | pe | pe | ぱ行 — pa pi pu pe po | ||
| ぽ | ポ | po | po | ぱ行 — pa pi pu pe po |
Groups: あ行 — a i u e o (the five vowels, and the order every other row follows) · か行 — ka ki ku ke ko · さ行 — sa shi su se so (the grid breaks at し: there is no si) · た行 — ta chi tsu te to (two breaks in one row — ち is not ti, つ is not tu) · な行 — na ni nu ne no · は行 — ha hi fu he ho (ふ is neither hu nor an English f, and は is said wa as the topic particle) · ま行 — ma mi mu me mo · や行 — ya yu yo (three cells, not five. yi and ye are simply empty) · ら行 — ra ri ru re ro (a tap, somewhere between r, l and d. Never an English r) · わ行 — wa wo (worn down to two, and を survives only as the object particle) · ん — on its own (the one mora that is not a syllable, and no native word begins with it) · が行 — ga gi gu ge go (か行 with ゛) · ざ行 — za ji zu ze zo (さ行 with ゛) · だ行 — da ji zu de do (た行 with ゛— and ぢ づ duplicate じ ず exactly) · ば行 — ba bi bu be bo (は行 with ゛) · ぱ行 — pa pi pu pe po (は行 with ゜— the only row that takes the little circle)
Les combinaisons les plus fréquentes
Les suites que vous croiserez sans arrêt — apprenez-les comme des blocs.
| Suite | Son | Ce qui se passe | Exemple |
|---|---|---|---|
| きゃ きゅ きょ | A small ゃゅょ fuses with the i-row into ONE mora — きょ is one beat, not two. Full-size きよ would be two. | とうきょう Tōkyō = to-o-kyo-o, four beats | |
| しゃ しゅ しょ | Same trick on the し row. | しゃしん shashin — photograph | |
| ちゃ ちゅ ちょ | And the ち row. | おちゃ ocha — tea |
Les règles du système
Comment les signes se comportent ensemble.
| Suite | Son | Ce qui se passe | Exemple |
|---|---|---|---|
| っ | The small つ doubles the next consonant and takes a beat of its own — a moment of silence you must actually hold. | きっぷ kippu 'ticket' (3 beats) vs きぷ kipu (2) | |
| ー | The katakana long mark. Length is meaning, so this is not decoration. | ビール bīru 'beer' vs ビル biru 'building' | |
| ゛ dakuten | — | Two strokes voice a consonant: か ka → が ga, さ sa → ざ za, た ta → だ da, は ha → ば ba. One mark, twenty new sounds — you never learn them as separate letters. | て te → で de |
| ゜ handakuten | — | The little circle turns the は row into p: は ha → ぱ pa. It appears on that row and nowhere else. | ほ ho → ぽ po |
| ティ ディ ファ ウィ | KATAKANA ONLY: small vowels are bolted on to write sounds Japanese does not have, for foreign words. パーティー pātī 'party', ディスク disuku 'disc'. Hiragana never does this. |
Combinaisons impossibles
Ce que ce système d'écriture n'autorise pas — connaître l'impossible réduit d'autant l'espace de recherche.
| Suite | Son | Ce qui se passe | Exemple |
|---|---|---|---|
| yi · ye · wi · wu · we | — | These slots are empty. The や row has only ya/yu/yo and the わ row only wa (and vestigial を) — which is why Japanese renders foreign 'yes' as イエス iesu, spelling the gap around it. | |
| ん at the start | — | No native word begins with ん. It is why the word game しりとり shiritori ends when someone says a word ending in ん — nothing can follow. |